04/7/16
Photo: TheSultanette

Trickery! Cheating! Chicanery! It’s Tax Time!

Head over heels at The Met.

Welcome to the perilous days of April, fellow Americans, when we’re reminded that nothing is certain but death and taxes, and that cheating (not the fun, sweaty kind) is a patriotic duty. So what better inspiration than a trip to New York’s Metropolitan Museum of Art exhibit, Crime Stories: Photography and Foul Play.

Encouraged by Andy Battaglia’s Wall Street Journal review promising “shady characters, dirty deeds and their often grizzly results” I hopped an uptown subway to the Met, still a sacred monument to art in spite of its jazzy new logo.

Photo: TheSultanette
Enter under your own risqué.

Threading my way past heroically endowed Greek warriors in the buff and ermine-clad monarchs in gilded frames, it was a relief to face the raw candor of honest criminals and the exhibition’s inviting threat of graphic subject matter. “Rangy social outcasts” is how the opening salvo described the gallery of reprobates – always on the Sultanette’s A-List.

Runway Chic or Runaway?
Runway Chic or Runaway?

The first set of assorted characters, posed for booking shots at the Chicago Police Department, hardly looked menacing. One woman reminded me of my Aunt Annette Krystowiak whose closest brush with crime was cooking blood sausage in Milwaukee. The men might have been posing for a Dolce and Gabbana spread.

Lend me your ears!
Lend me your ears!

On to a more encouraging crew – French anarchists. Sniffing them out in late-19th century Paris was dealt with in such scrupulous detail by French criminologist, Alphonse Bertillon, suffering the process became known as being “Bertillonaged.” As curator Mia Fineman explained it to Battaglia, “If you really wanted to make sure you had the right person, you would look at the shape of their ear, which was unique.” Credited as the first mug shots, these are selfies on steroids.

Book it, Danno!
Book it, Danno!

If you were looking for naughty nightstand reading in 1860, you’d click on Amazon (What! There was no Amazon!) for Rogues: A Study of Characters. Compiled by Samuel G. Szabo, its medley of bad boys including sneak thief, highway man, lifter, and wife poisoner, are straight out of Dickens. Each entry, labeled in elegant script, purports to uncover criminality through physical characteristics.

The eyes have it!
The eyes have it!

Why have we made such a science of exposing evildoers? Are we that easily fooled by the con man? Or do we prefer to swallow the most convenient truths, even from our lovers, family, and cohorts? … Do my darling’s eyes betray that he’s a lying, cheating bastard? Is jolly cousin Molly plotting to edge us out of the will? Might glad-handing Bob at the office really be back-stabbing Bob?

Mea culprit!
The Reverend. Mea culprit!

Working my way through the show, I became an amateur criminologist, analyzing the faces of these masters of guile. “The Reverend” Lawrence Hight’s unimpassioned stare from behind bars masked a venomous nature coiled to break free.

Freddie the farm boy
Freddie the farm boy.

The benign demeanor of 12-year-old Freddie the farm boy who shot his two sisters in Wausau, Wisconsin, belied a calculating murderer.

Then there was Frank Smith (a likely name). Hauled back to Kansas State Prison on an illegal gun charge after moldering there for twenty-six years on a previous conviction, he’s reported as saying he was “glad to be back.” Compared to the deadly reality of life on the outside maybe incarceration had its perks.

Debutante romp.
Patty Hearst debutante romp.

The exhibit may best demonstrate the allure of crime in the Femme Nikita photo of heiress Patty Hearst turned bank robber. Snatched from her gilded cage by the Symbionese Liberation Army in 1974, she was held hostage for nineteen months of capers before being rescued by the FBI. “Tania” then listed her occupation as “Urban Guerilla” and was sentenced to seven years in prison, commuted after twenty-one months by President Carter. Upon release, she tied the knot with her prison bodyguard and raised two children. Was the marriage a form of self-imposed house arrest to resist the exciting life of crime?

If the shoe fits ...
If the shoe fits …

Or does it inevitably end on a shelf at the morgue like John Dillinger’s sheeted body, his feet tagged as if at a sample sale. I wondered studying the soles of this notoriously dashing gangster, if a hunted-down corpse manifests a different postmortem persona than a body that dies a natural death. If I ever invite a coroner into The Male Harem, we’re in for some grisly pillow talk.

Doormen on duty.
Doormen on duty.

Still, the romance of the outlaw persists. Based on the show’s 1892 portrait of the Wild Bunch, you’d take these hotties over your milquetoast accountant any day after April 18. All dapper and dandy in bowler hats, they look more like investment bankers than bank robbers (though these days they’re one and the same). In comparison, a gaggle of cops from the 40’s, taken by crime photographer laureate, Weegee, look like Upper Eastside doormen with nightsticks.

It would be easy to relegate Crime Stories as an homage to film noir and head for dinner at Demarchelier on 86th(their coq au vin makes for good tax-time comfort food). The Valentine’s Day Massacre has become endearing folklore. Even the infamous electric chair at Sing Sing earned the charming moniker “Old Sparky” and was painted by Warhol.

But that might be denying ourselves another impulse.“Poring through the gore in the collection offered certain forbidden pleasures,“ writes Battaglia of the show’s curation. Whether artistic in intention or vernacular in nature, curator Doug Eklund tells him, the images ‘have a kind of energy and make you look’.

"Old Sparky" at Sing Sing
“Old Sparky” at Sing Sing.

Maybe observing this parade of wrongdoers allows us to become voyeurs of our baser selves. These hard-boiled criminals stir up the dirty little secrets that we conceal with such immaculate pretense – those private transgressions that escape the scrutiny of judges or juries, spouses, friends, children, even the tax man. Yes villainous acts against society should be punished. But in freeing their calamitous spirits, are these daring outcasts more wildly sincere than our shamefully hidden selves?

To quote outlaw laureate, Oscar Wilde, “Sin is the only note of vivid colour that persists in the modern world.” These photos, in stark black-and-white attest to it.

Crime Stories: Photography and Foul Play is at the Metropolitan Museum of Art through July 31. Suggested admission is tax deductible.

 

 

 

09/16/15

Space Travel: The Sultanette Guide To Wanderlust

Cocottes,1905, Axel Torneman, repro PD Posse Stryngford.
Cocottes,1905, Axel Torneman, repro PD Posse Stryngford.

The Sultanette has survived harrowing abandonment, deplorable betrayal, and world-class hangovers. Despite enough bad behavior to raise a nun’s eyebrow, I’ve managed to get home in the morning with keys, credit cards and lip gloss. To quote French tart and woman of letters, Colette, “What a wonderful life I’ve had! I only wish I’d realized it sooner.”

But who has time to reminisce? Now that The Male Harem has fueled my wanderlust, I’ll be heading for Mars on SpaceX as soon as Elon Musk offers in-flight Wi-Fi. Meantime I’ve signed up for another X-related adventure this fall.

View of Oxford,19C, William Turner of Oxford.
View of Oxford,19C, William Turner of Oxford.

No, not porn flicks, you wicked people! It’s Oxford I’m heading for (the one in England, not Ohio) for a ten-week course in European history – sex not included! (Unless an unscrupulous tutor convinces me it’s required for an A+ on my paper.)

So how the hell, you ask, have I pulled off getting high on education in “the city of dreaming spires”? That would require a multiple-choice answer: (A) Smart-ass Male Harem members stoke me to keep learning stuff. (B) Immeasurably kind friends are letting me freeload in their flat. (C) A fortune cookie proverb wedged in a framed photo at my computer (I’m looking at it now) inspired it.

Leopard in the Eye, Vinaypyatimani.
Leopard in the Eye, Vinaypyatimani.

The photo shows me grinning at camera poolside in a leopard-spotted bikini the year of my fiftieth birthday. On a hotel-quality towel beside me is Natalie Angier’s Woman, An Intimate Geography, a gender-bending source book that predates Caitlyn Jenner’s genitalia celebrity status. The proverb reads, “In order to remain young, one must change.”

While The Sultanette chooses less dramatic tacks than Ms. Jenner, I’ve learned in life that nothing beats a leap into the unknown to flush the cheeks and refresh the libido. It certainly had an effect on Caitlyn. Yet the hoopla over channeling her inner pinup on the cover of Vanity Fair begs the question: Why are we so uncomfortable accepting the way a woman defines herself until we can assign her a stereotype?

Serena by Pascal Kirchmair (Own Work), 2014, WikiCommons.
Serena by Pascal Kirchmair (Own Work), 2014, WikiCommons.

Anomalies like Caitlin Jenner or the erotically ferocious Serena Williams must be properly classified. Who do they think they are? Thankfully, the problem is resolved once a woman passes into the neutered safety of old age. Once she is post-menopausal, she becomes unassailable. What was a bitchy Millennial is now an adorably feisty octogenarian. The smart aleck is anointed guru. Raunchy is cheeky. What a gal!

If you don’t believe me, try googlng an American matriarch and watch pages of quotes get top SEO billing. The culture that claims being too highly evolved to put a woman on a pedestal elevates these wizened wisenheimers to oracles.

Platform stiletto,Terry de Havilland, 2007, Electra7 (own work), WikiCommons.
Platform stiletto,Terry de Havilland, 2007, Electra7 (own work), WikiCommons.

Let those who rail that a woman is judged by her looks head for the salon when 90-something accessory queen, Iris Apfel declares, “If your hair is done properly and you’re wearing good shoes, you can get away with anything.”

Authenticity-seekers heed the words of legendary Diana Vreeland: “A lie to get out of something or take an advantage for oneself, that’s one thing; but a lie to make life more interesting – well, that’s entirely different.”

closed-for-businessUnlike the Jenner’s of the world who are questioned for making media sensations of jumpstarting their vaginas, once a woman unplugs from her erotica we celebrate her booty news. Does “85-Year-Old-Wonder” Amy Greene (a former Glamour Beauty Editor whose outré statement is mismatched socks) have a boyfriend? New York Magazine reports her spunky reply: “I have gentlemen callers but I’m out of the vagina business.” Mazel tov!

microphones2
Microfonos, Installation, Rafael Lozano-Hemmer, 2008.

Why are American female role models required to be bastions of certitude? Has the clamor to claim “our voice” drowned out the notion that we can have our way in life without always having our say?

Don’t get me wrong. I admire the swagger of these accomplished dames. I only question why we feel the need to spin our role models into caricatures while other parts of the civilized world are satisfied with flesh-and-blood icons.

I offer the following quotes from virtuosos who have made their way with passion and purpose in less evolved feminist environments, yet are not above teasing out the answers:

“The more the years go by, the less I know. But if you give explanations and understand everything, then nothing can happen.” Anouk Aimée, “Goddess of Cinema Mythology” whose seventy films include A Man And A Woman, 8 ½, and La Dolce Vita. Eight-three years old.

Ready for your closeup? Alfred Cheney Johnston, c1920.
Ready for your closeup? Alfred Cheney Johnston, c1920.

“If you haven’t cried, your eyes can’t be beautiful.” At eighty, the new face of Dolce & Gabbana, Sophia Loren.

“As you get older, naked stuff gets easier.” British bombshell, Helen Mirren. Seventy.

Film director and Ingmar Bergman muse, Liv Ullmann, when asked what she’d like to say at the end of her life: “I loved and I was mystified. It was a joy sometimes, and I knew grief. And I would like to do it all again.”

Spacewalk, Astronaut Nicholas Patrick, 2/17/10, NASA.
Spacewalk, Astronaut Nicholas Patrick, 2/17/10, NASA.

Which brings me back to fortune cookies, dreaming spires, and space travel. While the next stop is Oxford, I don’t intend it to be the last. To quote a youngster of fifty-seven years, Madonna, from her song, Jump, “There’s only so much you can learn in one place.”

Call me a dilettante. Accuse me of being a louche adventuress. I’m off to experience events unforeseen far away from home and more important, from what I know. But I will have my ashes scattered over Mars before I think I have all the answers or forget it’s a multiple-choice question.

Golden Rule Girl, 1943, John Vachon.
Golden Rule Girl, 1943, John Vachon.

Maybe one day, I’ll learn how to accessorize like Iris or cultivate Sophia’s knowing eyes. Acquire the naked confidence of Helen, Amy’s moxie, and Diana’s artful deception. Anouk’s seductive uncertainty and Madonna’s restless defiance. Or maybe I’ll settle for sultanette-in-progress, destination unknown, satisfied, mystified, and like Liv, ready to do it all again.

I invite you to follow the next installments of The Sultanette on sabbatical at Oxford. No matter what they try to teach me, I intend to learn something.

07/14/15

Why Men Lie

One Life to Live, ABC,1972.
One Life to Live, ABC,1972.

Dishing with my colorist one day while getting a dose of honey blond highlights at a Mad Ave salon, we got on the subject of why men cheat on women. (I always build his invaluable gay man Male Harem advice into the extortionate cost of age-defying maintenance there.)

Joey’s brilliant take on men’s hot pants surprised even The Sultanette. Men cheat, he said, not because they can’t keep their dicks idle or because they can’t help from snacking on a pair of ripe melons or beefy buns. They cheat, he said as he foiled me up like a Christmas tree, because they like the intrigue.

Spy by Lockedo.
Spy by Lockedo.

So! It’s the thrill of subterfuge that fires up the male libido? The titillation of collusion that fuels those stockpiles of testosterone? “What did he see in her?” we ask after the cad is laid bare. Forget the horny dude helplessly drawn to the femme fatale. It wasn’t her cleavage or canny vamping that got him. He was seduced by his own reckless maneuvering. How very … male.

If men can be so maddeningly self-involved in the harrowing business of cheating on their beloved no wonder the rest of lying is as effortless as flossing. Oh! sorry to be a spoiler, if you’ve harbored an opinion to the contrary. Yolanda the Sultana (RIP mum) spelled it out when The Sultanette was still in training bra. When I asked for her take on the species, this woman who was coddled by Adoring Dad for over half a century replied without hesitation, “Men lie.” It was as irrefutable as her recipe for apple pie.

Many years and ex’s later, those resonating words inspired a tenet to The Male Harem philosophy (see “rules” in The Male Harem FAQs) that has seen no exception. Case in point, Ivy League, Esq. looked me straight in the eye one evening and told me unequivocally that his divorce was a done deal. A few months later, having added up some contradictory timing factoids, I floated out the notion at dinner one night that perhaps the divorce wasn’t finalized after all. As casually as if I’d asked him to pass the truffles he answered, “Did I say it was?”

An Edwardian and his bitch.
An Edwardian and his bitch.

Battle-weary and on guard for snipers, Ivy gave me the answer he thought I wanted to hear – that he was baggage-free. How would he know that The Sultanette cares less about the relationship status of harem members than that they treat the women who inhabit their lives, be they daughters, wives, Labradors or emerging exes, as generously as I expect them to treat me? Ivy had simply applied the most expedient answer, i.e., the one that would let him get on with other things like getting into my pants.

Which brings us to another reason men lie. It’s just too much of a pain in the ass to tell the truth. Why distract an efficient scenario with the facts? The only tedious part is keeping the deceptions straight when they’d rather take a nap which is why they so often get caught.

The foolhardy deceive themselves along with the intended. There’s the Soap Opera Liar who is hooked on his own doleful melodrama. The Serial Liar who’s been spewing the same tired narrative since his frat boy days. The Clueless Liar who can’t separate his truth from life’s fiction. And the Binge Liar who periodically conflates his heroic self-image with no follow-through. Know any? Deny it and who’s the foolhardy one?

Come Fly With Me,1947, Gottlieb, Pub Domain.
Come Fly With Me,1947, Gottlieb, Pub Domain.

On the other end of the spectrum I had a truth collision with Hizzoner, a silver-haired lawyer, oozing with street smarts and shrewd candor. He invited me to dinner at my favorite kind of New York restaurant, a neighborhood Italian holdover featuring beefy guys parked at the bar, a chandeliered dining room with acne-faced busboys imported from Sicily, and Sinatra piped in the bathroom.

The evening began with truly dazzling tales of his scrappy childhood and hard-won successes as a litigator and political activist. But with each refill of pinot noir the script became more bombastic. By the tiramisu, I knew more than I’d bargained for including the status of his rocket libido, the babes who had succumbed to it, and the many whose advances had been spurned out of his respect for womankind.

Sensing my dampening ardor he became more zealous, unleashing a torrent of revelations. His intimate affiliations with rock stars and their VIP retreats. His average nightly hours of sleep (three) and cholesterol count (HDL/LDL). His devotion to children, deceased wife, army of siblings and their offspring. I had the sudden eerie feeling that while every syllable of the soliloquy was true, it was pouring forth from someone who had long ago ceased to exist.

At last, the mobile perched beside his plate came to the rescue, lighting up like a prison alarm system. He glanced at it, registered the caller and ignored it. Again It flared. Another glance and he mumbled, “That’s my daughter” before tapping off a text.

What I would have done for some foxy half-truths, otherwise known as seduction – the mastery of the Elegant Liar who makes you feel so divine, who cares if it’s true or not? I’ve yet to meet an American man with the panache to pull that off.

Scheherazade and Sultan, Ferdinand Keller,1880.
Scheherazade and Sultan, Ferdinand Keller,1880.

Have we become so obsessed with full disclosure, we’ve abandoned the notion that deception can be sexy? And if that’s the case, why should men have the corner on it? Along with breaking through the glass ceiling, isn’t it time that women claim their equal right to be liars, too?

The Sultanette offers the inscrutable double agent, Moura Budberg, as torchbearer. Born to a Ukrainian czarist family in 1892, she was contracted to marry an Estonian aristocrat. After the revolution he holed up on his estate and she took up with a British diplomat and began playing off the Cheka against the British Secret Service.

B. Russel w/ Keynes & Strachey, 1915, Natl Portrait Gallery.
B. Russel w/ Keynes & Strachey, 1915, Natl Portrait Gallery.

“It seems that Budberg had a flair for intrigue,” Elizabeth Lowry writes in her Wall Street Journal review of the biography, A Very Dangerous Woman: The Lives, Loves and Lies of Russia’s Most Seductive Spy by Deborah McDonald and Jeremy Dronfield. “Charmingly devious” she helped her British lover escape the Cheka by bedding its deputy head. Her “perilous sensuality” captivated Maxim Gorky, Bertrand Russell, and H.G. Wells who remained enamored until his death.

In 1921 Moura married eligible Estonian noble bachelor number two (it was rumored that she’d colluded in number one’s death because she didn’t like his politics) and became a baroness. When she died in 1974 at the age of eighty-two, she fessed up to “sins of all shades from the blackest transgressions to the most scarlet.” Lowry questions the sincerity of Budberg’s late-life mea culpa “in light of the rackety disregard for ordinary loyalties she displayed.

Baroness Budberg at 80 in her London apt,1972, Allan Warren.
Baroness Budberg at 80, her London apt 1972, Allan Warren.

But who did she betray? Some may lie for the intrigue and others for ideologies. Some lies are lazy and others brilliantly bold. But in the end, even Moura Budberg knew that the most treacherous lie is the one you tell yourself.

This above all – to thine own self be true,

And it must follow, as the night the day,

Thou canst then be false to any man.

Hamlet, Act 1, Scene 3

10/29/14

Save The Date For The Sultanette Dinner

Dinner at the schlass, Jorge Royan.
Dinner at the schlass, Jorge Royan.

Except it won’t be dinnertime (the most wicked fun happens in the afternoon) and it won’t be a “date”  because that term is stricken from The Male Harem lexicon due to its fostering of bazaar expectations and sex-by-numbers. (Third date? You snooze, you lose.)

Minor details aside, stay tuned for The Sultanette’s fantasy dinner hosted by Courtney Price Design. If you’re not following Ms. Price’s tasty blog on culture, fashion, interior design and the best martini in San Francisco, you’re missing critical factoids on the art of living with style and heart. What better venue to  treat The Male Harem in the manner they’re accustomed than @courtneymprice where Emily Post meets C.Z Guest and Madame de Pompadour pops by for an aperitif?

Mae West,1936.
Mae West,1936.

So I’m presently assembling a guest list of philosophers and soldiers, miscreants, roués, and a rock star – alive and consigned to posterity (with respect to Mae West’s advice that the best husband is rich and dead). As with Male Harem membership, relationship status is irrelevant. Married, single, sig other, all that’s required is an informed love of women, high intellect, good manners, and a penchant for raw sex.

And just in time to pre-empt those tedious holiday dinners with Uncle Dick and Aunt Muffie! So be prepared for a feast of the mind and senses with this contrarian curation along with some penetrating remarks from The Sultanette on life, liberty and the pursuit of sex. Finger food only.

“She was astonished to see how her grandmother looked”, Gustave Dore.
“She was astonished to see how her grandmother looked”, Gustave Dore.

By now, you must be starved for more rousing tales of The Male Harem, and they’ve been collecting faster than The Sultanette can say “Trick or Treat!”. I hope you appreciate that unlike somnambulant marriage, The Male Harem requires constant field work. And that when I’m out there tirelessly testing the waters, allowing myself to be indulged, and cajoled by people with penises, I do it all, loyal followers, for your inspiration and edification.

And just when I wondered if this mad scheme might be climaxing, it’s gotten vigorous new insertions. On a recent Harem Event (no “dates” allowed, see above) Ivy League, Esq., exhibited the full spectrum of his privileged education. He was engaging, gallant, droll, insightful, and adept with hooks and zippers. Another new recruit Sky Walker and I are carrying on a tantalizing digital affair covering everything from Paris in January, Wittgenstein in Vienna, eyeliner in India, neurotic bankers, Norman Cousins, and the orthography of “Yuk!”.

Also a shout out to ongoing member Young Preppie, whose subtly bawdy propriety and impeccable Southern breeding played my +1 to the hilt at last weekend’s New Hampshire wedding. And to Nom de Plume, who just procured tickets to Chrissie Hynde’s New York concert at the Beacon.

"We have an excellent table for you in Novia Scotia, sir." Ericbodden.
“We have an excellent table for you in Novia Scotia, sir, just next to the lavatory.” Ericbodden.

Politically incorrect confession: I revel in the attention of men with the chops to genuinely appreciate the opposite sex. Before you pass this off as the frivolous indulgence of a horny woman, I paid a good price to get here – sixteen years with One&Only who could ignore me better than a waiter at a four-star restaurant when you’ve been seated in Nova Scotia. Confrontation-phobic? Once when I’d managed to wheedle him into a “talk” he jumped up, announced it was time to go to dinner, turned out the lights and bound for the door, leaving me per usual, in the dark.

No need for more examples, you know the drill. The countless incidents you gloss over until what you’re left with is so highly polished there’s not a groove for a toehold. On that night of no return with One&Only, the end of us was the least of it. Staggering away from the expectation that I’d ever be cared for the way everybody says you’ll one day be, was the seminal moment.

Ophelia, Henrietta Rae, oil on cavnas,1890, Walker Art Gallery.
Ophelia, Henrietta Rae, oil on cavnas,1890, Walker Art Gallery.

The sex part of The Male Harem was initiated a few months later in the back stairwell of an Upper Eastside apartment building. Crass? Crude? Tawdry? Yes! After being true to an illusion for sixteen years, that hot, furtive, dangerous body slam was just what Dr. Feelgood ordered.

I started practicing being alone. One birthday, I passed on dinner with friends and took myself to a play about Shakespeare’s women, appropriately called Women of Will. It was performed in a church basement in the Village. When I resurfaced, Washington Square Park was laced with a fairy dusting of snow. I snagged a spot for dinner at the bar of Minetta Tavern and ordered a flaming desert.

I didn’t want to do this long enough to become a habit. Just long enough to know I’d never again be tempted to sublet in someone else’s life. Along with going solitaire, I began cultivating The Male Harem. Nearly three years later members continue to appear like the magi, bearing gifts of cleverness, candor and desire. As for the emotional intimacy bit, I prefer to get that from girlfriends who are always better at it.

For my birthday this year I accepted the offer of Abdul, the cook at my neighborhood café, to cater a dinner party. A dozen friends showed up – half longtime loyal chums, half new harem members. We sat on a mound of pillows on my living room floor around the low table Abdul provided and drank copious liters of wine haphazardly paired with an unending parade of Yemeni perfections. There were soups and stews. Meats and birds roasted, spiced, marinated and sauced. For dessert, Abdul’s wife had prepared a multi-layered pie soaked in honey that, like sex, you could only partake of with your hands and totally surrender to sticky fingers.

Now that’s what I call a real Male Harem dinner. Imagine what happens at the fantasy version. See you there?

09/4/14

Looking For Mr. Wrong

B-25_Wolf_Bait_Nose_Art
Wolf Bait, WWII B-25 Mitchell bomber, Ed Uthman.

“I’m a very difficult person,” Jeremy Irons.

Untwist your knickers, scandalmongers! The Sultanette is not looking to add Jeremy Irons, aka “serial snogger” aka “the thinking woman’s pin-up” to The Male Harem. Yet. He does however, share one thing in common with each and every harem member along with wicked charm, a shameless love of the feminine form, artful duplicity, and the basic requirement for membership, a penis. They are all difficult men.

I may have denied this last feature even to myself before reading Cristina Nehring’s A Vindication of Love. Women who are drawn to rascals must “secretly believe they don’t really deserve a ‘good’ boy,” writes Nehring. ”It’s chalked up to low self-worth.” But when men pursue women who cause them “trouble and turmoil” Nehring contends, it’s credited to their “high spirits, predatorial adrenaline, to chutzpah, competition, and courage.”

As you know, I hold the harem in the highest regard for their intelligence, sophistication, and cultivated manners. But that doesn’t rule out the fact that they are rascals. So emboldened by Nehring’s revelation, I hereby confess that I have a history of men who behave badly beginning with the kid who tied me to a tree in grade school.

Cannabis sativa, print, 1887, Hermann Adolf Kohler.
Cannabis sativa, print, 1887, Hermann Adolf Kohler.

I met my first gut-wrenching kick-in-the-teeth heartbreaker fresh out of college after moving to Chicago to work as an advertising copywriter on Oscar Mayer Bologna at J. Walter Thompson. Forget the ex-frat boys with rich futures on the Options Exchange who packed the singles’ bars on Rush Street. (Their life expectancy may have been short but I would have been a rich, young widow.) My sights were set on Bad Boy, the mop-haired director of the agency’s research department who had dropped his PhD thesis at Northwestern to major in cannabis.

lossy-page1-800px-GRAND_CENTRAL_STATION_IN_NEW_YORK_CITY._AMTRAK_PASSENGERS_CATCH_TRAINS_TO_OTHER_POINTS_IN_THE_UNITED_STATES_FROM_THIS..._-_NARA_-_556674.tif
Grand Central Commuters, 1936, Jim Pickerell.

Coming from my cracker-barrel Wisconsin roots, I was awed by his lineage. He’d grown up in a John Cheever short story in Connecticut. His father, a bona fide Mad Man, had commuted everyday between Y&R and their Frank Lloyd Wright home in Westport where Bad Boy had actually mowed Paul Newman’s lawn for extra change. That’s when he wasn’t getting thrown in jail with his buddies after raiding the wet bars of the Eastern aristocracy. (His mother finally tossed his books into the cell and told him to study for a change.)

Bad Boy’s other exotic credential was a motorcycle. I was soon on the back of his black BMW cruiser heading for the local bike races – testosterone-fueled events starring teenage daredevils who catapulted around the track creating clouds of Castrol that hung heavy in those sultry Midwestern watermelon nights. Dinner on the way back was the insiders’ wiener treat at the Tastee Hastee stand in Gladstone Park where, awash in red and yellow fluorescence, your dog rolled down a mini-gauge metal conveyer getting heaped with the works.

Desert lightning, Arizona, Shredex.
Desert lightning, Arizona, Shredex.

Then Bad Boy started packing the BMW into his Ford van and unloading it for camping tours in the Rockies and the Four Corners. I bought my first sleeping bag, threw jeans and vintage silk blouses in a backpack, and found my inner biker chick: tucking into a nest of pine trees off a mountain road or under the flat starry sky of Monument Valley to bed down for the night; breathing in the desert after a rain – the smell of a vast damp basement; passing through abandoned mining towns and stopping at roadside diners where sullen rednecks hunched over Formica counters; huddling under a shelter of lashed-together windbreakers at the timberline when black clouds marbled with lightning blew in; experiencing a psychedelic sunset that filled the biggest sky I’d even seen while streaking down a ribbon of road at a hundred miles an hour.

Third-Rail-Danger-Sign

I loved the peril Bad Boy exposed me to, with him it all seemed safe. I could even overlook his fierce and unpredictable temper. His steely anger was never directed at me but existed in a place that was off-limits for my affectionate groping to make us whole. Though it kept a part of him beyond reach, after three years I was in thrall.

One day Bad Boy said, “Why don’t you ride your own motorcycle?” Who me? Yes! That Christmas I found a tricked-out café-racer under the tree, a white Honda to his BMW black. Given my 5’2” height it was no hog but I was ready to burn rubber. Bad Boy took me out to a parking lot and showed me the basics. I started off falteringly. The bike felt ungainly powerful under me. Filled with sudden doubt and real fear, I was tremulously making my way across the lot when I heard him shout, “You’re riding like a girl!” Who me? Fuck you! I took off. Nobody was going to challenge my moxie.

She called one day when I was cooking dinner – the lawyer he’d met on those business trips he was taking for focus groups in San Francisco. I had not a clue. Sheepishly for a change, he told me he was moving there. It’s the only time my legs crumpled under me. When I called his mother to tell him we were finished she said, “He’s a dog.”

A month later, still staggering from the body blow, I remembered that the motorcycle race we’d planned to go to was coming up. As the day approached, I knew what I had to do. The freeway seemed bigger that night but my café racer slipped easily between the eighteen-wheelers. I parked in the surrounding field along rows of bikes and found a spot on the bleachers. Watching the race from this vantage point was different than the one I had borrowed – more vivid and personal, sadder but somehow cinematic. It was my movie now, no leading man.

Bikers at night, 2008, Chris Heald.
Bikers at night, 2008, Chris Heald.

After the race, I blended into the thick crowd heading for the parking lot in a litter of crushed beer cans and the sweet smell of pot. It was late and the ride back to the city felt long. First one, then another biker began revving up around me, filling the night with grumbling engines and the surreal blaze of headlights. How would I make it out of here? Find my way back home on the freeway? Suddenly out of the cacophony, I heard Bad Boy’s indictment, “You ride like a girl!” I kicked my engine to a start and navigated my way across the rutted ground. When I hit the entrance ramp of the freeway, I revved the gas handle hard and blended into the trucker traffic with a surge of grace.

“Could it be that the feistier members of both sexes actually go for bad boys and bad girls,” Nehring asks, “not by accident but on purpose, not because they have been traumatized in their childhoods but because they have been emboldened and have courage and enterprise to spare? Could it be that the choice of a challenging love object signals strengths and resourcefulness rather than insecurity and psychological damage, as we so often hear?”

Manhattan Rush Hour, 2011, Alex Proimos.
Manhattan Rush Hour, 2011, Alex Proimos.

Some men soothe our souls, coddle our insecurities, allay our fears, and protect our feelings. Some kick up our mettle, challenge our doubts, fuel our daring, and trample on our sacred ground. Who says which one is good or bad? Right or wrong? You?

I most likely would have found my nerve without Bad Boy’s help but I wouldn’t have learned how to ride a motorcycle. The following year, I sold the bike and took off for New York City.